
POETRY

The Back that Says Yes
We look in the mirror,
Rearrange features,
Hold our chin at the proper angle
Hide the blemish
Find our maximum impact
Cheekbones highlit
Teeth blinding
No-sweat
Camera ready,
Confident smile.
But the front of you is a lie,
Armored steel,
Too practiced, too thought out,
It’s the front of you that stops;
Pushes the world away,
Says no thank you
Trying to cut down
Don’t go in for
Not my cup of
Don’t smoke
Gluten free
Don’t touch
Indoor voice
Walk don’t run in a calm and orderly
While the back of you says go,
Those parts behind held in tucked up and forgotten
Are the greyhound you straining at the slip:
The biceps femoris and the erector spinae
The gluteus maximus and the scapular retractors,
The posterior deltoid
And the secret language of toes,
The extensor digitorum and the fibularis brevis,
Those parts that take the heart unawares
Point your face to the light
Extend you, stretch you,
Sprint, leap, thrust, copulate
Two dimensions aren’t enough
For all that heartbreak and ecstasy,
The confining world with its
Personal ad
Need to define you
Bank manager, father, employee-of-the-month
Four walls and a postage stamp screen
And so little that stands you tall
Or lifts your head, expectant.
Surely you miss the peripheral,
Unhinged, unmediated
Backside
That stands you up like a bowsprit
All your ancestors
And all your hidden history
Behind you like an army
And the spine, with its suspension-bridge architecture,
The amphibious tail at its foundation;
The L vertebrae at the root like a redwood;
Curving up then back, then in,
Tapering to delicate ivory,
And all your senses
Ascending through its angel-hair tangle of nerves
Lover’s flesh and bay leaves and fine baby hair
Soft earth and blades of grass;
Notes off a French horn, the taste of shellfish
And the unmistakable scent of father, mother, wife, husband, and child—
Coursing upward on invisible currents
Don’t forget them, don’t forget that,
That glorious, urgent back of you, the back that says yes.

